Saronic

Hydra

No cars, no motorbikes: just donkeys and boats. Perfectly preserved neoclassical architecture and international artists.

Saronic Mayo a octubre from 130€/night 1,972 pop. 52 km² 1.75h ferry

Where is Hydra?

Hydra is a long rocky ridge of about 52 square kilometres rising out of the Saronic Gulf, 34 nautical miles south of Athens and practically up against the Peloponnese (barely 8 km separate the port from the small jetty at Metochi, on the coast of the Argolid). The island is elongated and mountainous: a single line of summits culminating in Mount Eros (588 m), with the north coast cut into coves and a south coast that is almost inaccessible except by boat. That terrain explains why the only town, also called Hydra, occupies a natural amphitheatre above the port, and why the rest of the island is nearly empty apart from four hamlets (Kaminia, Vlychos, Mandraki, Episkopi) and half a dozen monasteries hanging on the slopes. Arriving here feels very different from arriving in Mykonos or Naxos. There are no roads as such, no airport, no cars or motorbikes to be seen. By law the only traffic on the island is people, donkeys, mules and a handful of service vehicles (refuse collection, ambulance, fire). That turns the waterfront into the island's social centre of gravity: cafes, tavernas, jewellers and art galleries line the half circle of the harbour. The practical question many travellers ask themselves, "will I be cut off on an island with no cars?", is quickly answered: you are an hour and a half from Piraeus by hydrofoil and 25 minutes from the Peloponnese by ferry. It is, paradoxically, one of the best connected islands in Greece.

Getting there

Hydra has no airport and never will: the same law that bans motor vehicles also protects the quiet of the sky above. So every visitor arrives by sea, on a short crossing that is, in normal conditions, fairly steady. The great majority come from Athens; a minority arrive from the Peloponnese, which is also the fastest option if you are driving through the Argolid. The connections are frequent and run practically all year, with more sailings in summer. If you are coming in high season it is worth booking your ticket several days ahead, because the hydrofoils fill up, especially on Friday afternoons and Sunday evenings.

By ferry

The main option is the "Flying Dolphin" hydrofoil or the **Hellenic Seaways** catamaran from **Piraeus** (gate E8 or E9). The crossing takes **between 1 hour 30 minutes and 2 hours** depending on the boat and the swell, with several departures a day (the first is usually around 8:30 and the last around 17:00). Prices are around 30 to 40 euros each way in economy class. There is no traditional car ferry on this route because, as we said, cars do not come into Hydra. The crossing is comfortable and normally smooth: the Saronic Gulf is well sheltered and the meltemi, the north wind that shakes the Cyclades in July and August, is barely felt here. If you get seasick easily, this is one of the Greek islands where you will suffer least; even so, sit in the middle of the lower deck and stay away from the windows if there is a chop. The alternative, far less well known and cheaper, is the **ferry from Metochi**, a small jetty on the Peloponnese coast about 7 km from Ermioni. There are sailings roughly every hour between 7:00 and 22:00 in summer, and the crossing takes **20 to 25 minutes** for around 8 euros. It is ideal if you are arriving by car from Athens via the Peloponnese (you can leave the car in the guarded car park at Metochi) or if you are making an overland trip through Nafplio and Epidaurus.

By plane

There is no airport on Hydra and none is planned. The nearest international airport is **Eleftherios Venizelos (ATH)** in Athens, about 50 km from the port of Piraeus where the hydrofoil leaves. To reach the port from the airport, the most practical route is the M3 metro line to Monastiraki and a change there onto the M1 to Piraeus (around 70 minutes in total, 9 euros), or the direct X96 bus (90 minutes, 6 euros).

Other options

Once you are on Hydra, the only ways to move around the island are on foot, by donkey or by water taxi. The mules you see at the port are genuinely working animals: they carry luggage to hotels (5 to 15 euros depending on distance), take supplies up to the houses on the slopes and, occasionally, carry a visitor up to the viewpoints. Water taxis are the quickest way to reach the more distant beaches (Bisti, Agios Nikolaos) and Vlychos when it is hot; they leave the quay according to demand and cost between 5 euros (Vlychos) and 25 euros (Bisti) per person in a group. There is no scooter or car hire, and not even official bicycle hire: some shops in Hydra sell bikes to residents but do not rent them to visitors.

What to see

Hydra's sights are not really monuments, they are the town itself. The stone mansions stacked around the harbour were built by shipowning families who broke the Napoleonic blockade and then handed their fleet to the revolution in 1821, and two of those houses are now museums that between them explain the whole island in an afternoon. Beyond the waterfront the interest is in the walking: a stiff climb to the monastery on the ridge, the coastal path west through Kaminia to the hamlets, and the fortified bay at Mandraki. The caveat is physical rather than cultural. There are no cars, the town is a staircase, and almost everything worth seeing here involves a steep climb in full sun. Sensible shoes matter more than an early start.

Full guide

Beaches

This is the part of Hydra that disappoints people, so we will be blunt: if you have come to Greece primarily to lie on sand, you have picked the wrong island. Hydra scores low for beach quality and deserves to. The coast is rock and pebble, most of the swimming is off concrete platforms and ladders rather than a shore you walk into, and there is essentially no fine sand anywhere on the island. What is very good is the water itself, deep and clear straight off the rocks. Spilia, a few steps from the harbour, is a swim rather than a beach; Kaminia and Vlychos are walkable west along the coast path; Bisti and the far coves need a water taxi, which costs real money each way. In August the near platforms are crowded from mid-morning, and the boat fares to escape them add up.

All beaches

What to do

"Won't I get bored on such a small island?" is a question a lot of people ask before coming, and the honest answer is that it depends on the traveller. If what you want is a beach bar by day and a club by night, Hydra will feel quiet to you. If you are interested in art, architecture, naval history, coastal walks and eating well with a view over the harbour, two days are not enough. The island is a living stage set of eighteenth-century mansions, monasteries perched on the summits and paths that run the length of the coast, and the absence of traffic turns a simple walk into something quite different.

Activities

Where to stay

There is only one town on Hydra, so the choice is not really which village but how far up the hill you are willing to sleep. Rooms around the harbour put you in the middle of the evening life and save your legs, at the cost of noise from the quayside bars and the highest prices on an island that is already expensive. Climb into the lanes above and you get quiet, better views and lower rates, but every arrival means hauling luggage up steps, which is why the mules at the port charge to do it for you. Kaminia and Vlychos, a walk west along the coast, are calmer and closer to swimming, though you commit to a dark walk back after dinner or a water taxi. Nothing here is cheap in high season, and the island books out early for summer weekends, so decide months rather than weeks ahead.

Accommodations

Hydra is probably the most unusual Greek island you will come across. Not because of its size (52 km², modest) or its location (the Saronic Gulf, a short hop from Athens), but because of a decision that makes it a genuine world rarity: no cars or motorbikes are allowed here. The ban is not a tourist slogan or a recent fad, it has been law since the middle of the twentieth century and it is taken seriously. The result is an island whose dominant soundtrack is the bells on the mules, the creak of mooring ropes on the boats and the voices of people strolling along the quay at dusk. Anyone arriving from the busier Cyclades such as Mykonos or Santorini, where the drone of quad bikes and delivery vans never stops, notices the difference within the first minute.

History explains Hydra’s character. Until the end of the seventeenth century it was an almost empty island, a refuge for Albanian populations (the Arvanites) fleeing the Turkish invasions in the Peloponnese. The land is dry, with almost no farming, so its inhabitants did the only thing geography allowed: they took to the sea. First as pirates in the eastern Mediterranean, then as merchants who broke the Napoleonic blockade carrying wheat from the Black Sea to Marseille, and finally as legitimate shipowners with fleets that rivalled those of the great European cities. By the end of the eighteenth century, Hydra had more than 28,000 inhabitants and around 150 merchant ships. That accumulated wealth took physical form in the arhondiká, the three and four storey stone mansions that still dominate the amphitheatre of the harbour today. When the Greek war of independence broke out in 1821, Hydra put its entire fleet and its captains (Andreas Miaoulis, Lazaros Kountouriotis) at the service of the revolution, becoming one of the naval pillars of the victory over the Ottoman empire. That is why the island is full of plaques, busts and museums: you cannot understand the nineteenth century here without Hydra.

From 1955 onwards, when Sophia Loren and Anthony Quinn filmed Boy on a Dolphin, Hydra became a magnet for artists and intellectuals. In the sixties, Leonard Cohen bought a house for 1,500 dollars and lived here with Marianne Ihlen, the muse behind so many of his songs. Henry Miller, Brice Marden, Sidney Nolan and a long list of painters and writers made the island a creative refuge. That bohemian identity survives in the galleries along the quay, the artists’ residencies and the summer exhibitions. Dakis Joannou’s DESTE Foundation puts on one of the most interesting contemporary art shows in Greece every summer in the island’s old slaughterhouse, and it tends to fill the harbour with yachts and international collectors in June.

For a traveller planning an itinerary, Hydra fits several formats. The most popular is the day trip from Athens, usually combined with Aegina and Poros on a quick cruise; it gives you an idea but it leaves the island after four hours, far too little to see it properly. The ideal is two or three nights, enough to get to know the harbour without rushing, walk up to the monastery of Profitis Ilias, swim at two or three different beaches and eat in the village tavernas. If you have more time, Hydra pairs very well with Agistri (the small neighbour with pine backed beaches) and with a side trip to the Peloponnese via Metochi (Nafplio, Epidaurus and Mycenae are an hour away by car). The best dates are late May, June and September: settled weather, bearable heat and few crowds. July and August are beautiful but expensive and packed at weekends. In winter the island is open but services shrink to a minimum: a handful of tavernas, almost no hotels and a deserted harbour that has its own charm if what you are after is absolute silence.

What defines Hydra and sets it apart from any other Greek island is that hard to imitate mix: intact eighteenth century architecture, a topography that forces you to walk, a cultural elite that adopted it as a second home and a quietness you will not find anywhere else. It is not an island for every budget or every kind of trip, but people who get the trip right usually come back.